Been listening to Live's album Mental Jewelry.
It started last weekend, because I think the album has a nice dark-grey feel to it, and I figured that would go with my pissy mood, which it did. What I really wanted was Tool's Aenema (sigh, omg, ok,
Ænema, if you want to get all technical about it), but apparently my wacko past self sold that album when she was half out of her mind and eschewing half of her possessions, so I was out of luck there. Except I have it electronically still somewhere, but didn't feel like looking for it, so was out of luck either way.
Anyway, I got Mental Jewelry when I was fifteen or so. It was pretty cool how it happened at all. I came home from school one day and my dad told me Live had a show that night at Penn State, and they were signing autographs at That Cool Record Store at Penn State, did I want to go on a random road trip? Well, of course I did, and so we went. Of course this is perfectly illustrative of how awesome my dad is.
But yeah, we already had Throwing Copper, so we bought Mental Jewelry so that we could have them autograph it. Which we did.
Also of note is that at that age I was a total guitar fiend, and I think I went through most of my cds, which was quite a few (in the hundreds) and learned how to play every song I could figure out, at the rate of 1-3 songs per day. I would write down the chord progressions on notecards and quiz myself on them. Wish I still had the notecards. Damn you, half-insane past self! Mental Jewelry was a great album to learn how to play. Most people who've been subject to my babble about music have heard me go on about albums that are consistent without being homogenous. This is such an album. And the chord progressions are fairly easy, and the melodies are in a good range, and all that stuff that makes something fun to play on the guitar.
My point is, I've known this album really well for half my life. I knew all the chords and I knew all the words. I used to play and sing them in the laundry room late at night (since that's what I did to prepare for the open mic nights of my future).
But when I listen to it now, it's hitting me very differently.
Like I said, I chose this album to go with my pissy mood. But certain lines were really standing out.
"I decided that anxiety and pain were better friends, so I let it go. ... Did you let it go? ... Let's get it back."
"The perception that divides you from him is a lie."
It was really hitting me that every single line on the album is about compassion and oneness.
I don't know if I knew this and forgot, or that I didn't know, and whether that's mostly because I didn't know anything about Buddhism yet.
I've known this album long past the point where you stop asking, "What the hell does that mean,
pain lies on the riverside?" But I never knew what it meant until now. The water is compassion. You can bathe in it & swim in it & wade in it.... or, you can have a sucky life. One or the other, not both. Interact with the water, or suffer, alone and lost, for all your days.